Badlands guardian8/22/2023 As a friend noted, this is kind of the "Bruce confronts his mortality" tour, and so there is a summing up, a desire to figure out what it all means and where he's been taking this community of fans who've made him such an important part of their lives. More than just an overview of his career trajectory, Springsteen's set is designed around some common themes. The quartet of backing singers was effective all night, and Springsteen turned "The Night Shift," the classic soul cover, into a nifty duet with King. Songs with that 18-piece band really featured some dazzling arrangements, so that "Kitty's Back" and "The E Street Shuffle" sounded as much like big band jazz as they did rock 'n' roll, but the energy never flagged, and Springsteen never seemed to grow weary. Monday's show found the band playing with that basic E Street lineup – plus percussionist Anthony Almonte – for a 10-strong format for about half the show, and bringing on the four horns and the vocal quartet of Michelle Moore, Lisa Lowell, Ada Dyer and Curtis King for the other half. Violinist Soozie Tyrell has been performing with E Street for a couple of decades now, and also adds backing vocals. Springsteen's wife, Patti Scialfa, has been part of E Street for the past 30-odd years, but she's thus far only made two dates on this tour. After "The Big Man" Clemons died in 2011, his nephew Jake Clemons took over the sax duties. Nils Lofgren was brought in on guitar when Van Zandt pursued his solo career, and then kept on when Van Zandt returned.įederici died of skin cancer in 2008 (Monday was the 15th anniversary of his last show, a band tweet noted) and Charles Giordano stepped in on keyboards. The core E Street Band at the beginning was Springsteen, Van Zandt, pianist Roy Bittan, drummer Max Weinberg, bassist Garry Tallent, organist Danny Federici and tenor sax giant Clarence Clemons. The E Street Band is still a mighty vehicle for the singer to lead, even more so this year when it is augmented by four added horn players, a percussionist and four backup vocalists. Those higher prices may have left a sour taste for some, but by night's end, the sheer power of the performance had won over another congregation for rock's greatest live act.Ĭoncert review: Aerosmith jumps back in the saddle with 'frenetic,' 'fiery' show at Fenway Park T-shirts at the merch stands were going for $50 Monday and doing a brisk business. The tour has been colored by the controversy over LiveNation's "dynamic pricing," which has led to enormous ticket prices, although word is that much more economical options can be found closer to show dates. 26 the second date was added Tuesday morning. stadiums, including Gillette Stadium on Aug. 16.Īfter this arena tour of the States, the group is headed to Europe for a series of concerts before returning home later in the summer to play U.S. Three dates had to be postponed last week after someone in the band took ill. Among the postponed dates was a stop at the Mohegan Sun Arena, and that has now been rescheduled for Sept. The four-person horn section that augmented sax player Jake Clemons really gave the old classic added punch, and it was obvious Springsteen and Van Zandt relished the chance to play those gritty guitar lines.īruce Springsteen performs for a sold-out crowd at the TD Garden on Monday, March 20, 2023.īoston is the 17th date on Springsteen's scheduled 31-date spring tour. There was one new addition to the set list Monday night, and it was a corker, a cover of The Standells' Beantown anthem "Dirty Water," which the band hadn't done since 2012. The set lists for these shows have been drawing from 10 albums, from his 1973 "The Wild, the Innocent and the E Street Shuffle" to last year's collection of soul chestnuts, "Only the Strong Survive." Fans here and there might quibble about what tunes are played versus ones that aren't ("Hungry Heart" made its first appearance on this tour on the show before Boston, at State College, Pennsylvania, but was not in Monday's set), but as E Street guitarist Steven Van Zandt has explained on his social media, Springsteen is using his autobiographical Broadway show as a sort of framework for these shows, giving a view of his career, as he sees it, in retrospect.
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